Stripburger, 30. december 2013 ― Normal 0 21 false false false SL X-NONE X-NONE STRIPBURGER #63 – bloc theme: RADIO Normal 0 21 false false false SL X-NONE X-NONE Stripburger's editorial board has cooked up a new comicosity again: we've decided to dedicate the next issue's bloc to one of the first mass media that seemingly couldn't be farther from the comics medium: the radio. It's younger than comics, but in spite of that its use and popularity quickly gained ground. Soon it became (and remained as well, until the TV came around) the main tool for mass (dis)information and propaganda, but performed really well as an education platform and a field of artistic creation. The radio signal was able to reach many remote and informationally challenged places, while writers and playwrights wrote radio plays and dramas especially tailored to suit this medium. Sure, radio is a distinctly auditory medium which you cannot enjoy in any other way, while the comics are a deaf medium that heavily relies on the visual. Nevertheless, if we take into account that comics too are able to inform, educate, entertain and aesthetically please the reader, then we can conclude that comics and the radio do no differ that much at all. Nowadays, radio hasn't become extinct because of the arriv

Stripburger, 30. december 2013 ― Stripburger #63 - tema bloka: RADIO   Normal 0 21 false false false SL X-NONE X-NONE V uredništvu revije smo zakuhali novo stripackarijo: odločili smo se, da blok naslednje številke posvetimo enemu od prvih množičnih medijev, ki skoraj ne bi mogel biti dlje od stripovskega medija: radiju. Mlajši je od stripa, a je kljub temu bil deležen strme rasti rabe in priljubljenosti med širšim občinstvom.  Kmalu je postal (in do pojava televizije tudi bil) glavno orodje za množično (dez)informiranje ter propagando, prav tako dobro pa se je obnesel tudi kot platforma za izobraževanje in kot polje umetniške ustvarjalnosti. Radijski signal je segel tudi v bolj zakotne in informacijsko podhranjene kraje, medtem ko so pisatelji in dramatiki pisali igre in drame, posebej prilagojene temu mediju. Seveda je radio izrazito slušni medij, ki se ga drugače ne da prebirati, medtem ko je strip gluh medij, ki vse stavi na vizualno, a če se spomnimo, da zmore tudi strip informirati, zabavati ali estetsko ugajati (ali pa celo vse obenem), potem ugotovimo, da se radio in strip le ne razlikujeta toliko. Radio do danes zaradi pojavov novih komunikacijskih tehnologij sicer ni izumrl, kot so nekateri napovedovali, si je pa zagotovil svojo nišo in zvesto občinstvo v gostinskih lokalih, v avtomehaničnih delavnicah in na drugih delovnih mestih, v domovih za ostarele, v avtomobilih in tovornjakih, doma ob jutranji kavi in še kje. Pri nas pri tem izstopa ljubljanski RadioŠtudent, ena od prepoznavnih figur študentske scene v prestolnici in pomembna trdnjava dvoma, družbene in politične kritike ter kulture drugačnosti: RŠ je medij